Phil
Mellows yesterday pointed out one
of the latest Portman Group judgements, which had to decide whether the names
and labels of various beers were in breach of the code. The names were: Cat Piss; Dog Piss, Bullshit;
Dandelion & Birdshit; Big Cock; Grumpy Git; Arse Liquor; Lazy Sod; Puke;
Shitfaced; Yellow Snow; and Knobhead.
I could just leave you with the link to the judgement (which
also shows the labels), and allow you to giggle – or snort, as Phil did.
However, one bit of wording in the judgement caught my eye,
given the one-trick-pony nature of my academic work at the moment.
“The Panel was
concerned, however, that frequent references to scatological humour,
defecation, urination, genitalia, vomiting and other bodily functions could
prove particularly attractive to under-18s.”
If you added violence to this, it’s basically a description of the carnivalesque, which characterises Rabelais’ work, which is then drawn on by Bakhtin, and in turn drawn on by people like me (or this research team) to describe current town centre drinking. (Flippant, but I don’t see young people eagerly reading Rabelais…)
I don’t want this post to turn into a detailed discussion of
the codes used by the Portman Group and Advertising
Standards Agency in relation to alcohol, but after reading this I started
to flick through other recent judgements.
Perhaps unsurprisingly, a common feature of these is the
feeling that products are appealing to children. This isn’t just in a simple way, such that bright
colours or fruit flavours are condemned.
A
school has been condemned for brewing a beer to commemorate its 100th
anniversary – since there was then an unavoidable association between
alcohol and the education of children.
Most bizarrely, the judgement stated: “while acknowledging that the
school had taken steps to conceal the product from the pupils during school
hours, it could not control children seeing the product if it was taken home by
a parent.”
To me, this highlights the inconsistency of the Portman
Group approach. Public Health advocates
complain that advertising and licensing ‘normalise’ alcohol consumption, and worry
about alcohol being available in locations they feel it’s unusual and
unnecessary, like
cinemas. It’s exactly this sort of
worry that lies behind the condemnation of associating a school with beer – and
yet the Portman Group represents manufacturers who do precisely this, and would
argue that normalising isn’t a problem – alcohol is perfectly normal, but
should be drunk ‘responsibly’; it’s only
the errant individuals that need to be targeted.*
Obviously this isn’t an original or particularly interesting
thought. The strange role of the Portman
Group is acknowledged by both (self-defined) ‘sides’ of the alcohol policy
debate. I just found the condemnation of
a celebratory beer very strange – particularly when it’s an industry-related
body doing the condemning.
The more general theme of complaints to the Portman Group – as in the case of ‘Cat Piss’ beer – is that
the drinks themselves would be appealing to children. However, this is a line that is increasingly
hard to draw, when UK drinking culture is carnivalesque (with the world turned
upside down you can leave responsible adulthood behind) and where ‘kidult’
themes are common.
“Halloween is widely
recognised as a children focused evening, in particular with dressing up and
trick or treating. The presentation of this product alongside the promotional
posters, table talkers and mobiles would resonate with U18’s and make the
product attractive towards them.”
But this isn’t simply about the evil alcohol industry appealing to kids.
This distinction is hard to draw. Is childhood the first thing young adults
think of in terms of Halloween? Possibly
not; it’s probably now dressing up and parties.
There it is again – the
kidult theme.
As we are in a culture where lots of the things adults are
attracted to are child-like, the assumption behind this is that we need to
encourage a culture that is sensible, staid and certainly sober. I’m not sure I want to live in that world. There are all sorts of problems with kidult
themes – not least the way it potentially works both ways, with children
wanting to be adults as well as adults wanting to be children – but to see it
as a problem when alcohol simply reflects the society we already live in seems
like backwards logic to me.
It’s noticeable that the Portman Group rejected the claim
that the WKD cauldron was appealing to children (though it noted that alcohol
content of any drinks in it would be unclear) while the school anniversary beer
was condemned. I’m not sure which way
I’d have preferred the decision to go.
Maybe the answer is that neither should be condemned, and alcohol
shouldn’t be seen as the carrier of all moral value. Just something to think about.
*To be fair, the report linked to here isn’t an industry
report, but it’s a good expression of the philosophy behind the approach that
opposes population-wide interventions (like minimum unit pricing) in favour of
targeted measures.